People, read my article before asking.
Here is my making video of the 2013 Masters 15th hole illustration for Golf Digest April issue 2014. The line drawing at the beginning is one of my sketches I made at the golf course last year. I scanned it and colored as you see in this video. The entire process recording was more than 15 hour long but I edited and shortened it, sped up to approximately 12 times faster. Music by my friend, Tumbleweed.
Making of Ski Jump illustration by Tatsuro Kiuchi.
Before going into textures I use, I would like to talk a little about brushes.
These are basically the only brushes I use in Photoshop. I draw lines with the one (chalk/pastel like brush) indicated here in bold border. I use either this one or just the round brushes to paint flat colors, in dissolve mode with no pressure sensitivity. When using as erasers, I use the same brushes in pencil mode, again with no pressure sensitivity. No tricks, very simple.
Only very occasionally, I use chalk/pastel 236, which is set to be pressure sensitive. In this case too, in dissolve mode. The reason why I only use brushes in dissolve mode is that I don’t really like the soft edges or gradations of digital brushes. The softness looks a bit too smooth and perfect, and it just doesn’t feel right in my works.
I draw directly on screen using Wacom Intuos. I used to draw traditionally on paper with pencils and then scan in to use as a basic drawing but not anymore. I found it difficult to alter “traditionally drawn” lines with digital lines when I need to fix my drawings in Photoshop. So why not draw digitally in the first place?
You may also like
How could you?
How could you? どうして？
A Dog's Grace
The New York Times
Variations on a Theme by Mister Donut
Variations on a Theme by Mister Donut ミスタードーナツによる主題の変奏
Yomiuri Giants Won?
Yomiuri Giants Won? ジャイアンツ優勝?／文藝春秋 Number
Mori Hiromi Covers
Mori Hiromi Covers 森浩美さんの装画
Pure Love Moratorium
Pure Love Moratorium 純愛モラトリアム
The New York Times